I finished my 2006 contract last Thursday with the final scene of “When Bears Attack.” It was shot way out in the valley. Low December temperatures would normally send bears hibernating; however, the testosterone fuel cells of these “bears” were ignited by the chill. Before the scene was set up in the cabin, we all shot with Greg for the box cover. I stepped back for a moment from being mauled to get a shot of the bears at play.

Thursday (10/12), my scene with Adam Faust. I must say that I was quite impressed with him. He has two beautiful tattoos that he designed. They are tribal representations of a tiger and phoenix done in all black and even though they are somewhat abstract they remain fluid and strong. Great pieces done so well it made me want to cry. My next big tat is going to be designed by him, I made him promise. Coincidentally, he has also dabbled in designing t-shirts. When we got to talking I realized this guy is a bundle of creative energy.

Adam and I are the same height, so that combined with our artistic minds made for excellent on screen chemistry. It was really nice, very enjoyable. He’s a great kisser and has one of the finest asses I have had the privilege to encounter. HOOOOOOOOOOOT!

We had few props. A flat bed cart, some cardboard boxes filled with DVD’s and a ladder. We made use of them all, twice over. After we used the cardboard box I noticed that the combination of sweat and lube made for the cutest impression of my bum. This box was going to be shipped to a buyer of ours so we decided that it would be fun if I signed it.

Tuesday (10/10) I had two photo shoots back to back at one of my boss’ house… in his bedroom, in his bed! You gotta love that. It was revealed to me later that they were going to be the box covers for two movies that I will be in very soon. Rascal Video’s In His Dreams with Trent Atkins directed by the boss lady, Chi Chi LaRue. The second is titled Johnny Hazzard Feeds the Need, it has Adam Faust with me under the supreme direction of All Worlds director Doug Jeffries.

The head of the Channel 1 graphics department was on the set of the shoot and I was a bit confused. I have never seen him on any set before. It either meant that he was bored and wanted to be social or he wanted to make sure that the photos come out a certain way. I have done sooooo many of these that it’s no surprise they would want something fresh eventually. The vibe was glam - not a stretch for me. He wanted more shots that would be universal. I was in my element. I don’t have to worry about keeping my dick up and I get to lounge around on designer sheets the whole time. I was done with both shoots in just under 2.5 hours. They don’t call me crew favorite for nothing.

About my scene with Trent Atkins - talk about stunning eyes, his lashes and color are so incredible they ought to be insured by Lloyd’s of London. Our set was yet again a bed. This is so great. No saw horses to balance on, no chains to be suspended from and no tricky props to trip and scrape our knees on. We did a fine job, doing exactly what boss lady wanted before she had to tell us. Three hours from make-up to money shot. The Japanese could take lessons.